Showing posts with label Melbourne. Show all posts
Showing posts with label Melbourne. Show all posts

Sunday, October 10, 2010

The Smashing Pumpkins, live in Melbourne, 1998



Smashing Pumpkins
Date: June 20th, 1998, Adore Tour
Venue: Rod Laver Arena
Supported by: Jebediah
Cost: $53.90 AUD
Setlist:

1. To Sheila
2. Behold! The Night Mare
3. Ava Adore
4. Pug
5. Crestfallen
6. Tear
7. Thru the Eyes of Ruby
8. Perfect
9. Tonight, Tonight
10. Bullet With Butterfly Wings
11. Daphne Descends
12. Shame
13. For Martha
14. Encore:
15. 1979
16. Transmission (Joy Division cover)
17. Zero



In early June, 1998, Smashing Pumpkins released Adore, the follow up to their ground breaking album, Mellon Collie and the Infinite Sadness. Prior to Adore’s release, the Pumpkins were at their peak in popularity and the follow up to Mellon Collie was highly anticipated. Things had changed in the Pumpkins camp, drummer Jimmy Chamberlin exited the group and was replaced for the most part by drum programming for the album. In the live arena, a new drummer filled in, who was backed by two additional percussionists. There was also no trace of the grunge rock featured on albums before, the style was now a mellow and sometimes acoustic arrangement.
Australian fans had little over 2 weeks to get used to these changes after the album was released when the Smashing Pumpkins arrived on our doorstep.
The day before the Melbourne show, the Pumpkins played a ‘secret’ gig at Circular Key in Sydney that was broadcast by Triple J live around the country, and Australia got to hear the new Smashing Pumpkins set. The set consisted mostly of new material and a few re-workings of older tracks, but was missing many of the hits that SP became famous for.

When the Smashing Pumpkins played in Melbourne, the set was a little longer but followed the same tune. To their credit, the songs from Adore were improved with the live arrangements, featuring live drumming as opposed to programmed drums which brought a new life to these tracks. Daphne Descends rocked a little faster than on the CD, and the single, Ava Adore, featured a distorted electric guitar riff that brought back a bit of their grunge flavour to the mix.
Tear was also another stand out track, once again, faster and heavier than on the album.
The new songs were not the only ones to differ in musical arrangement to their original recordings. An acoustic based rendition of Tonight, Tonight pleased the crowd, as did a re-worked version of Bullet With Butterfly Wings, which featured a drum intro and followed a different format and feel to what fans were used to. Another song that received a different treatment was 1979, which dumped its usual clean guitar and mellow feel for a distorted electric versions.
While these 3 of their major hits were played, the crowd was becoming restless and mid set a chant for Zero began, with Billy Corgan dismissing the crowd saying ‘I don’t wear that shirt anymore’. When the band returned for their encore, it became apparent that the show was drawing to a close and there would be no more hits played, the chant for ‘Zero’ grew in intensity.
Corgan could only give in and give the audience what they wanted. Despite the fact that James Iha had already left the stage, SP started playing Zero, and it was a obvious that it was unrehearsed. Corgan forgot the lyrics, and even stopped playing guitar through parts, leaving Darcy and the drummer to carry the song. That was the end to an interesting evening, and a memorable concert for many different reasons.
The Pumpkins did not put on a bad show. The Adore songs were the highlight of the set and the live show gave a different perspective to that offered on the album. There was great musician ship and the additional percussionists and piano added to the shows mood. The crowd however did grow restless with the abundance of new material, and when the few hits were played they were not familiar versions, which didn't help with their mood. Perhaps if the album had been out longer, the fans may have been more ready for a show like this and more accepting of the performance, and you cant always please everyone anyway!

Smashing Pumpkins, Live in Melbourne, 20/06/1998

Thursday, September 16, 2010

Review: Metallica, Rod Laver Arena, Melbourne 16/09/2010

For their 2nd show in Melbourne for the Death Magnetic world tour, Metallica delved a little deeper into their back catalog. While still featuring all the set staples including Enter Sandman, Master of Puppets, One and Nothing Else Matters, they pulled out a few not so common in their usual set lists, especially for Australian shows! Some tracks featured from 1991's Black album included Holier than Though, Wherever I May Roam and The Unforgiven which added some great variation to the set. I had always wondered if ... and justice for all was rarely played because it was too long and or just didn't come across well live, but after seeing it played last night i can only conclude that it is because they just have too many great songs to be able to include songs like this in their regular sets.
Metallica certainly know how to command the crowd also, and playing in the round suits them perfectly, they don't neglect any part of the arena roaming the stage constantly giving every fan their money's worth for the entire concert.
There isn't a bigger show as far as metal concerts go. Set opener That was just your life featured laser lights which were effective even if a little unusual for Metallica. The lighting rigs were massive coffins which raised/lowered during various parts of set. There was plenty of pyro during One, Battery and Enter Sandman. The set closed with sing along to Seek and Destroy when massive black Metallica beach balls were released into the crowd.
After 6 years of waiting since Metallica last toured, you wonder if they 'still have it' and after last nights show, they have reminded Australia why they are the biggest metal band in the world.


Setlist:
That Was Just Your Life
Cyanide
Creeping Death
Holier Than Thou
One
The Four Horsemen
Wherever I May Roam
Sad But True
The Unforgiven
...And Justice For All
The Day That Never Comes
Master Of Puppets
Battery
Nothing Else Matters
Enter Sandman
- - - - - - - -
Helpless
Motorbreath
Seek and Destroy